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3-VCO Enhanced Ladder Filter Analog Poly Synth:
– Experience the Power of 3 Oscillators and a Ladder Filter with the Trigon-6 Module
– A Sound That Is Bold and Familiar
– All-New Filter and Oscillator Design
– Rounding Out the Picture
– More Power Features
– Dual Effects
– Adjustable Vintage Character
– More Than the Sum of Its Parts
– Portable and Powerful
Oscillators:
– 3 Discrete VCOs Per Voice
– Simultaneously Selectable Wave Shapes: Triangle, Sawtooth, Reverse Sawtooth, and Variable-Width Pulse
– Pulse Width Per Oscillator
– Hard Sync: Oscillator 1 Syncs to Oscillator 2
– Keyboard Tracking On/Off (Oscillator 3)
– Low-Frequency Mode (Oscillator 3)
– Oscillator Feedback and Drive Controls for Increased Signal Saturation
– White Noise Source
Low-Pass Filter:
– Switchable 2/4-Pole, Discrete, Resonant, Low-Pass, Ladder Filter Per Voice
– Filter Can Be Driven Into Self-Oscillation with the Resonance Control
– Bi-Polar Filter Envelope Amount
– Velocity Modulation of Envelope Amount
– Keyboard Tracking: Off, Half, Full
Filter Envelope:
– 4-Stage (ADSR) Envelope Generator
– Velocity Modulation of Envelope Amount
Amplifier Envelope:
– 4-Stage (ADSR) Envelope Generator
– Velocity Modulation of Envelope Amount
Low-Frequency Oscillator:
– 5 Wave Shapes: Sine, Sawtooth, Reverse Sawtooth, Square, and Random (Sample and Hold)
– LFO Sync
– Initial Amount
– Mod Destinations: Oscillator 1 Frequency, Oscillator 2 Frequency, Oscillator 3 Frequency, Oscillator 1 Pulse Width, Oscillator 2 Pulse Width, Oscillator 3 Pulse Width, Filter Cutoff, Amp (VCA)
Poly Mod:
– Sources: Oscillator 3 (Bi-Polar) and Filter Envelope (Bi-Polar)
– Destinations: Oscillator 1 Frequency, Oscillator 2 Frequency, Oscillator 3 Frequency, Oscillator 1 Pulse Width, Oscillator 2 Pulse Width, Filter Cutoff, Feedback Amount
Vintage Knob:
– Recreates Vintage Synth Characteristics by Adding Voice-to-Voice Variations in Component Behavior
Aftertouch:
– Source: Channel (Mono) Aftertouch with Bi-Polar Amount
– Destinations: Oscillator 1 Frequency, Oscillator 2 Frequency, Oscillator 3 Frequency, LFO Amount, Amplifier Envelope Amount, Filter Envelope Amount, FX Mix A, FX Mix B
Clock:
– Master Clock with Tap Tempo
– BPM Control and Display
– MIDI Clock Sync
Arpeggiator:
– Selectable Note Value: 16th Note, 8th Note Triplet, 8th Note, Dotted 8th Note, Quarter Note
– 1-, 2- or 3-Octave Range
– Up, Down, Up/Down, Random, and Assign Modes
Sequencer:
– Polyphonic Step Sequencer with Up to 64 Steps and Rests
Effects:
– Stereo Analog Distortion
– Dual, 24-Bit, 48-kHz Digital Effects, Including: Reverb (Room, Hall, Plate, Spring), Delay (Full-Bandwidth Digital Delay and Emulated Bucket Brigade), Chorus, Flanger, Phase Shifter, and Ring Modulator
– Delay Sync
– True Bypass Maintains Fully Analog Signal Path When Digital Effects Are Off
Performance Controls:
– Hold Switch Latches Held Notes On
– Polyphonic Portamento
– Unison (Monophonic) Mode with Configurable Voice Count, from 1 to All 6 Voices, Chord Memory, and Key Modes
– Preset Switch: When On, the Front Panel Is Live What You See Is What You Hear
Patch Memory:
– 500 User and 500 Factory Programs in 10 Banks of 100 Programs Each
– Direct Program Access, Including Single-Button Access to the Current Set of 10 Programs
In/Out:
– Left/Mono and Right Audio Outputs (2 x 1/4″ Phone Jack)
– Headphone Output (Stereo, 1/4″ Phone Jack)
– MIDI In, Out, and Thru Ports
– USB for Bi-Directional MIDI Communication
– Filter Cutoff Expression Pedal Input
– Volume Expression Pedal Input
– Sustain Footswitch Input
– Sequencer Start/Stop Footswitch Input
Power:
– IEC AC Power Inlet for Internal Power Supply
– Operates Worldwide on Voltages Between 100 and 240 Volts at 50 to 60 Hz; 30 Watts Maximum Power Consumption
Physical:
– Dimensions (L x W x H): 22.00″ x 8.45″ x 4.54″ | 55.88 cm x 21.46 cm x 11.53 cm
– 10.9 lb | 4.95 kg
– Maple End Panels